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The Tools of Screenwriting: A Writer's Guide to the Craft and Elements of a Screenplay, by David Howard, Edward Mabley
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In The Tools of Screenwriting, David Howard and Edward Mabley illuminate the essential elements of cinematic storytelling, and reveal the central principles that all good screenplays share. The authors address questions of dramatic structure, plot, dialogue, character development, setting, imagery, and other crucial topics as they apply to the special art of filmmaking.
Howard and Mabley also demonstrate how, on a practical level, the tools of screenwriting work in sixteen notable films, including Citizen Cane, E.T., One Flew Over the Cuckoo's Nest, Rashomon, The Godfather, North by Northwest, Chinatown, and sex, lies, and videotape.
- Sales Rank: #43742 in Books
- Published on: 1995-01-15
- Released on: 1995-01-15
- Original language: English
- Number of items: 1
- Dimensions: 8.12" h x .83" w x 5.45" l, .64 pounds
- Binding: Paperback
- 320 pages
Amazon.com Review
A comprehensive guide to writing screenplays by an experienced screenwriter and a respected writing teacher. Along with sections on the sreenwriter's craft, basic storytelling, and the parts and objectives of a screenplay, the book is distinguished by detailed analyses of sixteen successful films' screenplays, including the likes of E.T., Some Like It Hot, North by Northwest, Citizen Kane, and Annie Hall.
Review
“David Howard calls this book 'a writer's guide.' I think it's a wonderful and indispensable producer's guide to story, storytelling, and screenwriting.” ―Lawrence Turman, producer of The Graduate, Running Scared, The Flim-Flam Man, and other films
“What David Howard has done with The Tools of Screenwriting is to reveal for me and for all readers just how stories work; he shows that there are no absolute rules, but there are principles that can help a beginning writer gain understanding of all the elements that go into the creation of a 'good story well told.'” ―Diane Keaton
“The Tools of Screenwriting is the best primer on the craft, far better than the usual paint-by-the-numbers sort of books that abound.” ―Frank Pierson, Academy Award-winning screenwriter of Cool Hand Luke, Dog Day Afternoon, Presumed Innocent, and A Star is Born
From the Back Cover
Screenwriting is the art of telling stories dramatically - and it can be learned. Although there is no standard formula for writing a screenplay, there are central principles that all good screenplays share. In The Tools of screenwriting, the authors illuminate the essential elements of cinematic storytelling. These elements are guideposts for the aspiring screenwriter, and they can be used in different ways to accomplish a variety of ends. Questions of dramatic structure, plot, dialogue, character development, setting, imagery, and other crucial topics are discussed as they apply to the special art of filmmaking. The authors demonstrate how the tools of screenwriting work in sixteen notable films, including Citizen Kane, E.T., One Flew Over the Cuckoo's Nest, Rashomon, The Godfather, North by Northwest, Chinatown, and sex, lies, and videotape. in the analyses of these films, the reader will discover the common elements of compelling screen stories. The Tools of Screen writing is an essential book for anyone who wants to write a script that will be filmed.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Five Stars
By Benjamin A. Clarkson
Excellent butter. Excellent bread. Excellent sandwich.
14 of 17 people found the following review helpful.
Comprehensive and Practical
By Ars Gratia Artis
I think this book stands out from others in the heap of books on screenwriting in at least two salient aspects.
First, it does a fairly good job of defining the terms being used. There is great confusion in screenwriting terminology; different authors have differing definitions for commonly used terms -- or none at all. They just throw out terms as if the reader already knows what it means or the meaning is so intuitively obvious it doesn't need definition. Or they define the term vaguely and apply it inconsistently so it seems to mean one thing in one paragraph, and then something else in another. Terms do need clarification and authors need to be consistent.
Second, whereas some authors emphasize a particular element or technique as a sin qua non -- if not the sin qua non for creating a marketable manuscript -- this book discusses all the basics with no particular emphasis or preference for one.
After surveying the basics, the authors apply their analytical schema to 14 notable films from various genres including The GodFather, Rashomon, Annie Hall, sex lies and videotape and Hamlet. Though I don't always agree as to how they apply their schema, it's a practical schema.
42 of 45 people found the following review helpful.
Masterful! Brilliant! Amazing!
By A Customer
Forget all of the other books out there...or, buy the other books, but make this one first on your list. Howard and Mabley are both accomplished professional writers and they know their tools of the craft, which they now share with you. This book succeeds immensely simply because it lists the elements of a screenplay and tells how each is best used and why. It has all of the basic elements: Dialogue, Dramatic Irony, etc. But ever heard of "Preparation and Aftermath", "Future and Advertising", "Planting and Payoff", or "Plausibility"? If not, then learn how to include them in YOUR screenplay to make it better, more exciting, and more fulfilling in a dramatic and universal way. Absolutely the best book on screenwriting. Period. Buy it now. I have read it a countless number of times and each time I learn something new or it spurs my imagination to create something new in the world of my screenplay. Please do yourself a favor and get a hold of this book. A masterpiece of screenplay instruction.
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