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The author of the New York Times bestseller This Is Your Brain on Music reveals music's role in the evolution of human culture-and "will leave you awestruck" (The New York Times)
Daniel J. Levitin's astounding debut bestseller, This Is Your Brain on Music, enthralled and delighted readers as it transformed our understanding of how music gets in our heads and stays there. Now in his second New York Times bestseller, his genius for combining science and art reveals how music shaped humanity across cultures and throughout history.
Dr. Levitin identifies six fundamental song functions or types-friendship, joy, comfort, religion, knowledge, and love-then shows how each in its own way has enabled the social bonding necessary for human culture and society to evolve. He shows, in effect, how these "six songs" work in our brains to preserve the emotional history of our lives and species.
Dr. Levitin combines cutting-edge scientific research from his music cognition lab at McGill University and work in an array of related fields; his own sometimes hilarious experiences in the music business; and illuminating interviews with musicians such as Sting and David Byrne, as well as conductors, anthropologists, and evolutionary biologists. The World in Six Songs is, ultimately, a revolution in our understanding of how human nature evolved-right up to the iPod.
- Sales Rank: #8428349 in Books
- Published on: 2010-03-25
- Original language: English
- Number of items: 1
- Dimensions: 7.76" h x .91" w x 5.08" l, .58 pounds
- Binding: Paperback
From Publishers Weekly
Charles Darwin meets the Beatles in this attempt to blend neuroscience and evolutionary biology to explain why music is such a powerful force. In this rewarding though often repetitious study by bestselling author Levitin (This Is Your Brain on Music), a rock musician turned neuroscientist, argues that music is a core element of human identity, paving the way for language, cooperative work projects and the recording of our lives and history. Through his studies, Levitin has identified six kinds of songs that help us achieve these goals: songs of friendship, joy, comfort, knowledge, religion and love. He cites lyrics ranging from the songs of Johnny Cash to work songs, which, he says, promote feelings of togetherness. According to Levitin, evolution may have selected individuals who were able to use nonviolent means like dance and music to settle disputes. Songs also serve as memory-aids, as records of our lives and legends. Some may find Levitin's evolutionary explanations reductionist, but he lightens the science with personal anecdotes and chats with Sting and others, offering an intriguing explanation for the power of music in our lives as individuals and as a society. (Aug.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Bookmarks Magazine
Fans that have read This Is Your Brain on Music are in for another treat; newcomers to Levitin will still find much to enjoy in this consideration of music and human civilization. Levitin writes with both knowledge of neuroscience and evolutionary biology and a deep appreciation for the musician’s craft—one that will resound loudly with musicophiles. The New York Times Book Review, however, questioned some of Levitin’s “unprovable” scientific claims, and others faulted him for taking a reductionist view of evolution, shamelessly namedropping, cherry-picking songs from a select era, and failing to edit a verbose tome. Despite such flaws, most readers will find something to connect with in the book—even if it’s just one song.
Copyright 2008 Bookmarks Publishing LLC
Review
"A must-read. . .A literary, poetic, scientific, and musical treat."
-Seattle Times
"An exemplary mix of scientist and artist, student and teacher, performer and listener."
-Library Journal, starred review
"A fantastic ride."
-New Scientist
"Leading researchers in music cognition are already singing its praises."
-Evolutionary Psychology
Most helpful customer reviews
1 of 1 people found the following review helpful.
How Joni Mitchell and Pete Seeger Created Human Nature
By Amazon Customer
Daniel J. Levitin, a former record executive turned neuroscientist, pals around with David Byrne, Sting, Joni Mitchell and other celebrities in a book whose purpose is to define the six architypal songs of the human race. The chapters are titled for one of the six types, with an additional chapter for love songs. The content of each chapter is a haphazard collection of autobiographical anecdotes, interviews, evidence from anthropology, and examples from his and his colleagues research. Beyond straight forward declarations of what makes the chapters's song type an archetype , most of the material provides little evidence or even a compelling reason to be included in the chapter.
Each chapter includes uninspiring song examples that seem to undermine his claim of significance. Mr Levitin apologies for this in the final chapter claiming the examples are provided for a common frame of reference and are not meant to represent the best of the genre. If great examples are so hard to come by, what makes these categories more than arbitrary?
This seems most evident in the chapter on religious songs. When composers like Bach have spent their entire career writing religious music, is Leon Russell's Superstar performed by Carpenter's the most worthy mention? How is a study of Arcade Fire lyrics pertinent while Handel's Messiah mearly gets mentioned by name?
Levitin stresses how little difference there is between humans and the rest of the animal kingdom. He fails to show that the musical brain he attributes to humans is an important distinction.
2 of 2 people found the following review helpful.
The World in Six Songs, by Daniel Levitin
By A2900
This is an enjoyable, very interesting and thought-provoking book by someone who knows music from both the commercial/industry and scientific sides. Levitin advances a number of ideas, based largely on science, but which really amount to conjecture -- he doesn't posit them, but he repeats them often enough that it is clear that he really believes them. I found a number of these ideas to be plausible but not necessarily convincing. This is not a criticism, but rather to say that I have other ideas and/or am not so sure that his conjectures are right. Indeed, some of these ideas seem downright simplistic.
More of a criticism -- though this may be a criticism of me, not Levitin -- is that he extensively makes references to contemporary popular music and musicians to give examples of what he is writing. Being raised on classical music, I found most of these examples useless.
I haven't read it, but, from what I have heard, another of Levitin's books, "This Is Your Brain on Music," sounds like a better and more scientifically based book. I intend to read it next.
0 of 0 people found the following review helpful.
Interesting ideas, but far too long for them
By Legis
Not nearly as good as "This is your brain on music". Although the core ideas are very interesting, the book should be much shorter. The author delves into too many and too long personal stories to go to the point.
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